LIFE BITCH Author: JM Mora. Director: X. Maso. Art director: P. Azorín. Costume: M. Araujo. Starring: C. Bugarin, M. Martínez, F. Martínez, P. Vallejo. Teatro Valle-Inclán . Madrid.
to London was José Manuel Mora in 2006, the result of an artist residency at the Royal Court Theatre , look at "My soul elsewhere" to rural Spain, the Spain as unpublished Unfortunately, in our scene, exiled as if the currency does not care about the lives of millions of English who have not tweeted ever, a living human landscape sheds with corrugated iron roofs. This is one of the virtues of a text gritty, uncompromising, in which Mora explores the depths of the heart and family. Choose to live with someone who does not love to die in life, having the soul elsewhere, leading a life of hound trailing his sentence.
theater is necessary, but the aridity of the text, environmental staged in brittle silence by management Xicu realistic and leisurely Maso, does not invite sympathy rather ejected the spectator more than a tragedy, it is actually in pure and raw, saved by how powerful they are some of his characters.
However, despite its dryness, the production of the National Dramatic Center is an interesting job, look no taboos, forbidden relationship suggests that father and son face-the abyss of dissatisfaction . With a sea of \u200b\u200bolive trees in the background, a moving bed in front of the stage, headed by a house as there will be thousands in any town. The cast works effectively for the drama is to be evident: Celso Bugallo, Fele Martínez Martínez and create a wound Mona played with truth, and supported by the occurrences Pati Alfonso Vallejo and Maria Russo. Not to mention the friendly presence Yuli Greyhound, which contradicts Hitchcock's famous phrase about children and animals.
Photo: Mona and Fele Martínez Martínez, on site (Photo by David Ruano)
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