"BELLISSIMA"! Author and director: Daniele Finzi Pasca. Director of creation: Line Tremblay. Set Design: Jean Rabasse. Costumes: Dominique Lemieux. Choreography: Debra Brown. Music: Jea-François Côté. Composition and musical direction: Philippe Leduc, Maria Bonzanigo. Lighting: Martin Labreque. Makeup: Nathalie Gagné. Acrobatic rigging Design: Danny Zen Cirque du Soleil . Grand Chapiteau next to Puerta del Ángel scenario. Madrid, 5-IV-2011.
It takes often years and a long round trip to reach children from maturity. Able to enjoy as if everything is a game and do it with class, elegance and wisdom, and the wealth of experience takes a toll, the mistake. So large have encountered more than once and have risen again. The international adventure Cirque du Soleil is the chronicle of a success that in some parts of its expansion had come to engulf his creatures, missing predictable products, repetitive or aesthetically unfortunate. But we must not forget that you've had, usually retain, and the company of astronaut Guy Laliberté, who years before ascending to the stars and was a visionary able to touch them, was equipped for this return to origins, to a show essentialist in which the classical circus out his hand to music and theater to reinvent itself beyond the boundaries of the genre stale, and create a new circus.
"Corteo" , a show of 2005 that has now reached Spain, reminds us of what can and what Cirque became the banner of a new genus. And that point is on the way in which the operator knows to stop and look back. After "Dralion" (1994), "Quidam" (1996) and "Varekai" (2002), Cirque again a happy and curious child, a sensory feast as in "Saltimbanco" (1992) and, above all, " Joy "(1994).
The happy union with Daniele Finzi Pasca's proposals have some credit. The universe of Swiss, a postcard Mediterranean beginning of the century, and worked at another company, Cirque Eloize, and so does here. The maturity of Canadians can be further noticed as a risky bet and melancholy drama without losing its spectacle and humor-that part of the killing as a "leitmotif." Because "Corteo" is a "courtship", a funeral, the clown a round Mauro veteran clown, Mozzani-Mauro, who dies and ascends to heaven from dazzling trapeze numbers that hang from chandeliers and acrobats jumping on beds nineteenth century.
man of the theater, Finzi Pasca transferred their knowledge to delicious scenes like the contortionist Lilliputian Valentina floating over the heads of respectable or a full-scale puppet theater in which Shakespeare deconstructs from absurd. Music, costumes, makeup, all adds to it, including technical propuesa Cirque, in this story "Fellinian" sober her show but also more technically ambitious, as in a huge rail in the skies above the track. The circus has died and risen. Long live!
Photo: Cirque du Soleil
0 comments:
Post a Comment