GREAT TAVERN From Shakespeare texts . Adaptation: Marc Rosich and Andres Lima. Address: A. Lima. Set Design and costumes: Beatriz San Juan. Lighting: Valentín Álvarez. Music: Nick Powell.Caracterización: Cécile Kretschmar. Starring: Peter Casablanca, Raúl Arévalo, Alejandro Saa, Carmen Machi, Rebeca Montero, Alfonso Lara, Rulo Pardo, Chema Adeva, Jesus Barranco, Sonsoles Benedict, Maria Morales, Angel Ruiz, Alfonso Blanco. Teatro Valle-Inclán . Madrid, 18-III-2011.
"Banish the rotund Falstaff and desterraréis the whole world", defends the above in one of the many great lines that collects in "Henry IV." Falstaff, the drunk, the noble funky, colorful and witty friend of revelry of the young Prince Henry, the john and a thief, as Shakespeare himself describes it, is more than a character, a successful intrusion into the human soul, freed from the eyes of prejudice. All that we have transmitted and Andrew Marc Rosich Lima in a show that, as did Orson Welles in the film, brings the two "Henry IV" and from other Shakespearean texts.
This "Falstaff" is a clever job of editing and selection, a maze of characters right relocated-especially those of the lumpen-and a ruthless winnowing of fine poetry and prose cultured in Stratford upon Avon, shattered with malice in translation daring and street. In the end, is the least: a purist cast hands to the head. Firm who enjoyed one of the most vivid and essential assemblies, for its truth and its delivery stage, which has launched the National Dramatic Center long time.
A 'Falstaff', directed by Lima, which are not Animalario production is indebted to his style. Exhibits the virtues of the best "animals" resources and address the outstanding actors 'Urtain "and some of its shortcomings, as the noisy chaos of the insane asylum of" Marat / Sade', reproduced in excess of a tavern soaked in sherry and antics. But even then, captive: the lecherous gun Rulo Pardo, the uneducated Rauda Doña Carmen Machi, the awkward duck Chema Adeva, the mischievous Rompesábanas Dora Rebecca Bartolo amoral Montero and Ángel Ruiz, among others, make up a bestiary ethyl and marginal met with great humor. And most of them fictitious monarch unusual protagonist, a Prince Harry 'carabanchelero "cool, cool, uninhibited and scoundrel Raúl Arévalo, an outstanding record.
While the charm of "Falstaff," lies a priori in his philosophy of low life, this proposal is grown in the cut scenes and battle, which solves Lima vibrant, but politics has nothing to envy to the tavern. There, Alejandro Saa Hotspur gives his ambition and decided to pack angry, and Jesus Barranco solemn and spectral chill to Henry IV. And with them, most notable works from Maria Lara Alfonso Morales.
remains for the final mention of Falstaff, the great-in all senses-star. Peter Casablanca, which has so often proved to be great actor does not disappoint, and developed a powerful portrait of a subject that is the joy of life personified, love of the grape and the need, as a child large, the shadow of the prince. Round would be if it contained the laughter free, with a false beard and pot-bellied Falstaff at times flirts with parody Christmas.
Photo: A scene of a tavern with the cast (Photo by Valentin Alvarez)
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