THE GREAT CAMBALACHE Author: D. Mamet. Dir: J. Manrique. Sets: Ll. Castells, I. Martínez. Cast: I. Benet, P. Lopez, M. Rodríguez. Abbey Theatre . Madrid, 10-VII-2011.
"Today it is the same being a traitor, ignorant, wise or pickpocket, a generous person or a swindler", sings the tango. Julio Manrique nail it the only Latin wink of an assembly hundred percent "Yankie." Don's lair in "American Buffalo" is certainly a swap: in Argentina, "store bought and sold clothing, jewelry, or used furniture," according to the SAR, which also includes the term as "barter done with desire money. " That spirit lives in the three losers who David Mamet in 1985 drew a drama in which rescues Manrique underground humor. What is to come, the "stick" to give to retrieve a valuable coin is just an excuse for what happens between them over an afternoon.
"Today it is the same being a traitor, ignorant, wise or pickpocket, a generous person or a swindler", sings the tango. Julio Manrique nail it the only Latin wink of an assembly hundred percent "Yankie." Don's lair in "American Buffalo" is certainly a swap: in Argentina, "store bought and sold clothing, jewelry, or used furniture," according to the SAR, which also includes the term as "barter done with desire money. " That spirit lives in the three losers who David Mamet in 1985 drew a drama in which rescues Manrique underground humor. What is to come, the "stick" to give to retrieve a valuable coin is just an excuse for what happens between them over an afternoon.
In this dazzling assembly Lliure, enter a motley aroma filled mametiano, which undoubtedly exists in some alley in Brooklyn or Baltimore. Each object in the scenery, decent inventory apart, and each stroke play their role management: it is important to see a snuff strive Teach cigarette to his friend Don turned off or an old flexo uneasy as it crosses the police. Because the theater needs consistency and this work is committed to a code of practice consistent with its aesthetics, and American film "Scorsese would enjoy this show-which offers quiet and genuine turbulence.
are three creatures that life itself is too much for them, and Manrique bid for street realism: Ivan Benet is immense as the paternal Don, Marc Rodriguez started laughing with a complex and Teach, smart, impatient and irascible, and Pol Lopez is all fragile as the "druggie" Bob. Abbey Mamet has programmed the best seen in Madrid in years.
Photo: Pol Lopez and Ivan Benet on site (Photo: Teatre Lliure)
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