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" Cat on roof Hot Tin '

IN THE SOLITUDE OF COTTON FIELDS

Author: Tennessee Williams. Translation: Joan Sellent. Free version and directed by Alex Rigola.Escenografía: Max Glaenzel. Starring: Chantal Aimée, Joan Carreras, Muntsa Acañiz ... It Inclán Theatre. Sala Francisco Nieva. Madrid.

is not surprising that someone so fascinated by the power and its abuses, but usually is from the epic (there are his adrenaline "Richard III", "Julius Caesar" and "Ubu '), as is Alex Rigola you for your interest collapsing the family portrait is "Cat on a Hot Tin Roof" Tennessee Williams, a checkerboard cursed the one who always need a word-the unspeakable homosexual attraction between Brick and Skipper, and many others are thrown in the face, creating a screen that hides a terrible noise isolation.

text But Williams also portrays unhealthy relationships of domination, a pulse almost pinteriano between father and son and between husbands and wives which extracts gold Rigola tasty leisurely scenes of violence: the mother, dragging his humiliation of one side of the stage before the wrath of her husband, deeply theatrical stars in a moment. Posts to travel light, Rigola not only limited to six players and a pianist this version, but it concentrates on characters emotions hieratic, almost robotic, as if to distance himself from the excesses of his most provocative montages.

the experiment works well, thanks in part to the superb cast, with special reference to the trio of Andrew Benito, a seismic Big Daddy, Joan Carreras, a troubled Brick (the long conversation between father and son is the best time of assembly), and Chantal Aimée, more fragile than a cat, as Maggie. But because the emotional minimalism sit well with a text that is already a flood of emotions. There greed (embodied in the brother Gooper and fertile woman, Mae, who aspire to inherit the plantation), inability to deal with the past (the sexual and emotional divide between the alcoholic Brick and his wife) and suppressed anger (anger explosion the patriarch). In the beautiful proposal Glaenzel Max, the family mansion in a dream merges with cotton fields, whose land they step barefoot Brick and Maggie, for prolonging a saga sentenced to one hundred years of solitude in a future closed false.

Photo: David Ruano

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"Five hours with Mario"

MANY HOURS WITH NATALIE

Author: Miguel Delibes (novel). Adaptation M. Delibes, Josefina Molina, Jose Samano . Address: J. Molina. Starring: Natalia Millán, Víctor Elías. Teatro Reina Victoria. Madrid, 19-I-2010.

Natalia Millán deserves many more than five hours of success. Input, for daring to ride the long shadow of a cypress as Lola Herrera-all image in the collective subconscious, with that "Five hours with Mario" , totem of the scene show English in recent decades. And then, do it with dedication and talent that would overwhelm anyone who has just for musical actress. Is that, yes, and more. The star of "Cabaret" and "Chicago" has been growing in recent years, seasoned in Shakespeare and Calderon, up to this intense tragicomic monologue that, seen now, it seems designed for it.

Carmen Sotillo is the work of Miguel Delibes in all their flawed humanity, and Natalia Millán Carmen Sotillo is a display of freshness and an array of naturalness that makes us travel to Spain in the 60 refused to look ahead, red in the recent widow who launches a tirade of misunderstanding against her husband, the body present: large text, pure popular speech, a giant sadly died recently.

A Delibes, who enjoyed that assembly of Josefina Molina and Jose Samano, certainly would have liked this review in which novelty is a powerful Carmen, carnal and neorealist adorably obnoxious, which rounds for two hours a luminous actress is here to stay.

Photo: David Ruano

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