And FIRE? In Aeschylus and H. Müller. Address: C. Portaceli. Starring: C. Elias, D. Bagés. G. Flores, Ll. Castell, Ll. González, P. López, A. Pérez. Teatro Valle-Inclán . Madrid.
"I hate all the gods, who have received benefits from me and I have paid with injustice, brama Prometheus, chained by Zeus. His crime, stealing fire and giving it to mortals, is in Aeschylus, adapted by Heiner Müller, a political history of pride and rebellion against the power stage calls for a solution between the epic and passionate. What's more humane to face the gods?
But in this "Prometheus" which arrives at National Drama Centre from Grec no fire or emotion. The direction of Carme Portaceli binds us to a dungeon cold metal towers and water surfaces that separate the viewer from a text in itself hidden, containing more than moments of exceptional height.
Portaceli good hand heads with his cast: a complete and painful great Carme Elias Prometheus nothing feminine, as well as a fun Ocean (Pepa Lopez) and a successful Hephaestus (Albert Smith). Also the choir, which assumes both solo and with a great job Gabriela Flores, although this stage is little option for those unfamiliar explained texts. As happens in the end, where the drama of Paul Law is interesting but hasty: the amazing story of the eagle and the release of Titan becomes an oratorio which, despite being accompanied by a crescendo Live jazz frantic, like a patch.
Photo: David Ruano
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