33y1 / 3's clip by Elena V. Molina
33y1 / 3's clip Vol.2 by Elena V. Molina
Saturday, January 21, 2012
Counter Offer Letter Sample Injury
33y1 / 3's clips
33y1 / 3's clip by Elena V. Molina
33y1 / 3's clip Vol.2 by Elena V. Molina
33y1 / 3's clip by Elena V. Molina
33y1 / 3's clip Vol.2 by Elena V. Molina
Sunday, May 22, 2011
Kates Playground Foolando
"Cursed be the man who trusts in man ..."
LIDDELL, AGAINST ALL
Text, directing, stage design and costumes: Angélica Liddell. Starring: A. Liddell, Lola Jiménez, Johannes de silentio, Fabian Augusto Gomez ... Spring Fall Festival . Ships of the English-Matadero Madrid. 19-V-2011.
With incomprehensible title "Cursed is the man who trusts in man: a projet d'alphabétisation" Angélica Liddell has ordered his misanthropy, generated by personal disappointments experienced in the past three years. It is lawful for art emerges from the bowels, and text as vibrant as the author of "Dog died in dyeing: the strong" throws screaming into this new proposal, the most aesthetic and religious has vomited, you can not ask philosophical acuity. Liddell lists his phobias and orders his drama with an AZ in French to forge a vital ideas, not ideology: the theater or something, in this case seeks to settle accounts with those who snatched innocence. In other words, the whole human race.
His proposal surprises, with moments of aesthetic impact, as their transit through the candor for which has nine girls on the stage, his work with five dazzling Chinese acrobats or blast rock to the beat of the Rolling Stones, aided by the efforts and good work of Lola Jiménez, Johannes de Silentio and Fabian Augusto Gómez. Liddell continues to mature, growing away from what was, but without losing its identity. Times lacks polish and abuse: six repetitions of a Schubert piece, as beautiful as it is, exhaust the most devoted viewer.
defense also lacks ethical lessons from the example: fly off in full swing by an electrical fault at the cry of "where there is a technical fuckin 'speech at odds with his victim. You should already know what an opening night and deal with what falls.
LIDDELL, AGAINST ALL Text, directing, stage design and costumes: Angélica Liddell. Starring: A. Liddell, Lola Jiménez, Johannes de silentio, Fabian Augusto Gomez ... Spring Fall Festival . Ships of the English-Matadero Madrid. 19-V-2011.
With incomprehensible title "Cursed is the man who trusts in man: a projet d'alphabétisation" Angélica Liddell has ordered his misanthropy, generated by personal disappointments experienced in the past three years. It is lawful for art emerges from the bowels, and text as vibrant as the author of "Dog died in dyeing: the strong" throws screaming into this new proposal, the most aesthetic and religious has vomited, you can not ask philosophical acuity. Liddell lists his phobias and orders his drama with an AZ in French to forge a vital ideas, not ideology: the theater or something, in this case seeks to settle accounts with those who snatched innocence. In other words, the whole human race.
That is what "Cursed be ...»: of disillusionment, hypocrisy and the complaint. Liddell is an "angry", although I suspect, by his words, including "mistrust" is the most repeated his skepticism away from the Puerta del Sol . "Money" (ie, "argent") jumps to "XY chromosome ',' life ',' Utopia ',' hate 'or' table '(to speak of family meals that hide secrets and abuse), reaching A to Z of 'Zidane', tearing on the road to Medina Azahara the same equidistance defenestrated anarchist that Sarkozy. Though Alicia for years-those of "Triptych of Woe" - Liddell falls away and the Wonderland. The beasts are victims-dried, literally, because the greatest man is wolf to man.
His proposal surprises, with moments of aesthetic impact, as their transit through the candor for which has nine girls on the stage, his work with five dazzling Chinese acrobats or blast rock to the beat of the Rolling Stones, aided by the efforts and good work of Lola Jiménez, Johannes de Silentio and Fabian Augusto Gómez. Liddell continues to mature, growing away from what was, but without losing its identity. Times lacks polish and abuse: six repetitions of a Schubert piece, as beautiful as it is, exhaust the most devoted viewer.
defense also lacks ethical lessons from the example: fly off in full swing by an electrical fault at the cry of "where there is a technical fuckin 'speech at odds with his victim. You should already know what an opening night and deal with what falls.
Photo: Angelica Liddell, one of the Chinese acrobatic show, Jan scena (photo Autumn Festival)
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